A friend hipped me to this video and it is truly heartbreaking. Apparently the color of beauty is still white (and will always be if we are to believe those people interviewed in the video.
Before I am accused of being too Afrocentric, I am not advocating that the fashion industry is "blackened" just for the same of having black people on the runways and in the pages of mainstream fashion magazines. Rather, I am advocating at least an openness to representing blackness rather than having designers request "no black girls." Particularly when they are willing to allow white models to don blackface or act as props to showcase white beauty. Which recalls one of the quotes in the film that says people in the industry essentially want white girls dipped in chocolate.
Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts
Sunday, May 16, 2010
Wednesday, March 10, 2010
Are White Dolls Worth More than Black Ones?
For our allegedly being in "post-racial" times (if we're supposed to believe the line the media feeds us), I am routinely astounded by some of the things I see/hear. We've seen/heard about studies that demonstrate that when presented with a black doll and a white doll, black girls most frequently chose the white doll. But these studies can often be dismissed because they happened "back in the day." Which is why I was so shocked to hear that Good Morning America replicated the study in 2009 and found that some, not all, of the devaluing of black dolls by black girls still existed in "modern times."
It's quite easy to shake our collective heads and discuss how fashion and fashion magazines often advance a Eurocentric image of beauty which can perhaps lead to lowered self esteem -- a nod to Charles Cooley's looking glass self concept which asserts that a person's sense of self is derived from the perceptions of others. Just like the reflections in a mirror, the self depends on the perceived responses of others. It was just a few months ago that many were outraged that Vanity Fair featured all white actresses on its "The New Hollywood" cover.
But then comes this story, also from ABC that showed that a Walmart, presumably in Louisiana, set the price of a Black doll at 50% of the cost of the White doll. The spokesperson quoted in the story asserts that the Black doll was on clearance while the White doll was not citing anecdotal sales lower sales figures for Black doll. In addition, the spokesperson cited a desire to clear out the inventory of the Black doll to make way for new spring inventory.
I tend to believe everything Walmart does is evil, but in this case their stated reasons may be true and their intentions may have been innocent, but it's important to realize the message delivered -- The Black doll is worth less than White doll. It's important to know that the message sent is not always the message received (remember the game of telephone from childhood?).
It's quite easy to shake our collective heads and discuss how fashion and fashion magazines often advance a Eurocentric image of beauty which can perhaps lead to lowered self esteem -- a nod to Charles Cooley's looking glass self concept which asserts that a person's sense of self is derived from the perceptions of others. Just like the reflections in a mirror, the self depends on the perceived responses of others. It was just a few months ago that many were outraged that Vanity Fair featured all white actresses on its "The New Hollywood" cover.
But then comes this story, also from ABC that showed that a Walmart, presumably in Louisiana, set the price of a Black doll at 50% of the cost of the White doll. The spokesperson quoted in the story asserts that the Black doll was on clearance while the White doll was not citing anecdotal sales lower sales figures for Black doll. In addition, the spokesperson cited a desire to clear out the inventory of the Black doll to make way for new spring inventory.
I tend to believe everything Walmart does is evil, but in this case their stated reasons may be true and their intentions may have been innocent, but it's important to realize the message delivered -- The Black doll is worth less than White doll. It's important to know that the message sent is not always the message received (remember the game of telephone from childhood?).
Labels:
blackness,
celebrity,
Cultural Theory,
entertainment,
ethnicity,
fashion,
media,
news,
pop culture,
race
Monday, March 8, 2010
Black Women and Hair
My mother is currently undergoing treatment for breast cancer. While undergoing chemotherapy, like most people, she lost her hair. As a man, it wasn't really a big deal to me, (I thought she had a great bald head and could, as Tyra Banks would say, "rock it!" but to her, it was a big deal.
Hair is so important to women (and to culture). As I mentioned in a previous post, hair, particularly among some black women, is of the utmost importance. I really started to notice how much hair meant to some women when I got stuck in an America's Next Top Model Cycle 6 hole a few weekends ago. Jade, a self proclaimed "biracial butterfly" kept belaboring the point that she didn't have long hair (skip to 1:11 and 1:30 in the video below for evidence).
Then I saw this photo from Huffington Post that showed a bald woman starting a fashion show in India.

The accompanying headline was "Bald Model Kicks Off Lakme Fashion Show." And it literally stopped me in my tracks. Without the qualifier "bald" the headline is unremarkable. We are to believe that something about baldness is remarkable. In this case we're supposed to say, "A bald model? It can't be done!" And ooh and ahh over the novelty of it all. Certainly, this could have been a PR stunt meant to drum up publicity, but the fact is that it worked. Why does hair equal femininity/femaleness in our culture? Why is hair, particularly long hair so rooted in ideas about attractiveness? When asked why she shaved her head, the model said she just felt like it. Maybe all women should just do what feels right to them when it comes to their hair rather than worrying about what others (particularly suitors) think.
And while it's often assumed (or at least theorized) that black women straighten their hair to submit to European ideas about beauty, it's interesting that in the film, Something New, that it is a white man who asks his black girlfriend why she wears a weave:
Hair is so important to women (and to culture). As I mentioned in a previous post, hair, particularly among some black women, is of the utmost importance. I really started to notice how much hair meant to some women when I got stuck in an America's Next Top Model Cycle 6 hole a few weekends ago. Jade, a self proclaimed "biracial butterfly" kept belaboring the point that she didn't have long hair (skip to 1:11 and 1:30 in the video below for evidence).
Then I saw this photo from Huffington Post that showed a bald woman starting a fashion show in India.

The accompanying headline was "Bald Model Kicks Off Lakme Fashion Show." And it literally stopped me in my tracks. Without the qualifier "bald" the headline is unremarkable. We are to believe that something about baldness is remarkable. In this case we're supposed to say, "A bald model? It can't be done!" And ooh and ahh over the novelty of it all. Certainly, this could have been a PR stunt meant to drum up publicity, but the fact is that it worked. Why does hair equal femininity/femaleness in our culture? Why is hair, particularly long hair so rooted in ideas about attractiveness? When asked why she shaved her head, the model said she just felt like it. Maybe all women should just do what feels right to them when it comes to their hair rather than worrying about what others (particularly suitors) think.
And while it's often assumed (or at least theorized) that black women straighten their hair to submit to European ideas about beauty, it's interesting that in the film, Something New, that it is a white man who asks his black girlfriend why she wears a weave:
Brian: Can I ask you one more question?
Kenya: Hmm?
Brian: [grabs a piece of her hair] Can you take this off?
Kenya: [opens eyes] What do you mean?
Brian: I mean, its not a wig, right? But its not your real hair either, is it?
Kenya: [stares at him for a moment, then sits up] I can't believe you just asked me that.
Brian: I'm sorry, I'm just curious.
Kenya: Its a weave, if you must know. I thought you dated black girls.
Brian: They had real hair.
Kenya: I have real hair too.
Brian: Underneath?
Kenya: Yes, underneath!
Brian: So what, they just... they sew it in?
Kenya: Something like that.
Labels:
blackness,
Cultural Theory,
entertainment,
ethnicity,
fashion,
media,
news,
pop culture,
stereotypes
Monday, February 22, 2010
Modern Day "Brownface"
When I was on vacation in Amsterdam late last year (shortly before the American Christmas holiday), I began to notice blackface dolls in storefront windows. Later in the trip, I asked a tour guide what it was all about and she retold the story of "Black Pete" who is a servant of Saint Nicholas. There are several stories about Black Pete. One is that his face is black because the Dutch expect the face of the devil to be black. Another story has Black Pete punishing bad children. Still another story purports that Black Pete is the one who actually places gifts for Saint Nicholas (and subsequently that his face is black because from sliding down the chimney, which covers his face in black soot). In current times (as when I was in Amsterdam) Black Pete's face isn't so much black as it is brown, presumably to get away from the idea of blackface. Aside from this representation of Black Pete, I (idiotically, apparently) thought blackface was largely a thing of the past since people like Ted Danson found out that most people (especially black people) don't see the "LOL" potential of blackface these days.

So, imagine my surprise when I saw this photo spread from L’Officiel Hommes, a men's French fashion magazine from 2010.

Are there really not enough black male models? I think not. And perhaps it's just for the sake of creating controversy because certain segments of the internet are abuzz about this photo spread. If that is/was the aim, then mission accomplished. But what it says is that in the high fashion modeling industry, black still isn't good enough. Despite Tyra Banks' best efforts with America's Next Top Model, there are just not a lot of black people who grace the pages of fashion magazines. The cover of Vanity Fair's most recent cover featured thin, white actresses as the future of Hollywood. What this recent attack means is that not only are blacks not good enough to be featured in fashion (along with women who are heavier than a size 6) but even when (on the rare occasion) an editorial calls for people of color they aren't even good enough to fill those few slots.
Some could make the argument that we are living in a post-racial world now that American has elected an African American president -- to which I say BULLSHIT! Try telling a black man (who is not the biracial Barack Obama) that race no longer matters. Even as a reasonably well-educated black man, no one can convince me that race no longer matters. Tell me we are post-racial when the woman on the "El" in Chicago gets up and moves to a different car when I sit down within 20 feet of her. Try telling me we are post-racial when the woman clutches her purse when I get onto the elevator with her.
Although we rarely do this is any way that has real impact, it's time for us to get outraged about our failure to have a real, honest conversation about race and ethnicity. We will always be plagued by these problems unless we get it all out in the open. Once we have had an honest conversation about race, we'll understand why brownface is as offensive as blackface and instead of giving people a forum to use it to titillate and intrigue us, we'll just yawn and look the other way and dismiss it for the publicity stunt that it is.

So, imagine my surprise when I saw this photo spread from L’Officiel Hommes, a men's French fashion magazine from 2010.

Are there really not enough black male models? I think not. And perhaps it's just for the sake of creating controversy because certain segments of the internet are abuzz about this photo spread. If that is/was the aim, then mission accomplished. But what it says is that in the high fashion modeling industry, black still isn't good enough. Despite Tyra Banks' best efforts with America's Next Top Model, there are just not a lot of black people who grace the pages of fashion magazines. The cover of Vanity Fair's most recent cover featured thin, white actresses as the future of Hollywood. What this recent attack means is that not only are blacks not good enough to be featured in fashion (along with women who are heavier than a size 6) but even when (on the rare occasion) an editorial calls for people of color they aren't even good enough to fill those few slots.
Some could make the argument that we are living in a post-racial world now that American has elected an African American president -- to which I say BULLSHIT! Try telling a black man (who is not the biracial Barack Obama) that race no longer matters. Even as a reasonably well-educated black man, no one can convince me that race no longer matters. Tell me we are post-racial when the woman on the "El" in Chicago gets up and moves to a different car when I sit down within 20 feet of her. Try telling me we are post-racial when the woman clutches her purse when I get onto the elevator with her.
Although we rarely do this is any way that has real impact, it's time for us to get outraged about our failure to have a real, honest conversation about race and ethnicity. We will always be plagued by these problems unless we get it all out in the open. Once we have had an honest conversation about race, we'll understand why brownface is as offensive as blackface and instead of giving people a forum to use it to titillate and intrigue us, we'll just yawn and look the other way and dismiss it for the publicity stunt that it is.
Labels:
blackness,
Cultural Theory,
entertainment,
ethnicity,
fashion,
models,
pop culture
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